Öström;Magnus-Searching For JupiterJupiter war für die Römer das oberste Prinzip, der Himmelsvater, der Lichtbringer. Ihn rief man an, wenn die Schicksalsgöttinnen unvermittelt ins Leben eingriffen. So wie beim schwedischen Schlag
Enjoy the adventures of Max Latin, the detective who doesn´t want to be a detective! Author Norbert Davis mixed the classic hard-boiled style with humor, making Max Latin unique in pulp fiction. Appearing for five screwball stories in Dime Detective, this new edition includes an authoritative introduction by fellow Dime Detective scribe John D. MacDonald. ´´Watch Me Kill You!´´: I´ll do an artistic job of it and everything´ll be over and we´ll have you all comfortable in your coffin before you know it. We will, that is, if we can keep Latin, the only shamus who might gum the works, sufficiently soaked in brandy till your grave´s filled. ´´Don´t Give Your Right Name´´: If you happen to get in the line of fire of a baleful Borgia on a murder rampage. Take a lesson from a shamus with a shady rep and stagger out of the way with plenty of brandy under your belt. You´ll come out on top much quicker, with dough in your kick to boot, and a hell of a lot less grief. ´´Give the Devil His Due´´: As he accepts a murder commission, for a price, and joins up with the busy folk who are searching the missing Jupiter Zachary - to make sure he stays that way, and preferably dead. ´´You Can Die Any Day´´: In a variety of unpleasant ways, as the unctuous Mrs. Gregory Farmer soon found out when she decided to become a client of that nonesuch of the genus sleuth, the brandy-drinking Latin, who couldn´t keep his feet out of the blood puddles any more than he could keep his beak away from a sniffing-glass. ´´Charity Begins at Homicide´´: With Max Latin and Carter-Heason, the guy strictly from Kipling, following the latest goings-on of the ´´Charity´´ racket. 1. Language: English. Narrator: Milton Bagby. Audio sample: http://samples.audible.de/bk/acx0/021001de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
This is the first collection of review articles in one volume covering the very latest developments in exoplanet research. This edited, multi-author volume will be an invaluable introduction and reference to all key aspects in the field this field. The reviews cover topics such as the properties of known exoplanets and searching for exoplanets in the stellar graveyard. The book provides an easily accessible point of reference in a fast moving and exciting field. This edited, multi-author volume will be an invaluable introduction and reference to all key aspects in the field of exoplanet research. The reviews cover: Detection methods and properties of known exoplanets, Detection of extrasolar planets by gravitational microlensing. The formation and evolution of terrestrial planets in protoplanetary and debris disks. The brown dwarf-exoplanet connection. Formation, migration mechanisms and properties of hot Jupiters. Dynamics of multiple exoplanet systems. Doppler exoplanet surveys. Searching for exoplanets in the stellar graveyard. Formation and habitability of extra solar planets in multiple star systems. Exoplanet habitats and the possibilities for life. Moons of exoplanets: habitats for life. Contributing authors: Rory Barnes David P. Bennett Jian Ge Nader Haghighipour Patrick Irwin Hugh Jones Victoria Meadows Stanimir Metchev I. Neill Reid George Rieke Caleb Scharf Steinn Sigurdsson
William Legrand becomes obsessed with searching for treasure after being bitten by a scarab-like bug thought to be made of pure gold. He notifies his closest friend, the narrator, telling him to immediately come visit him at his home on Sullivans Island in South Carolina. Upon the narrators arrival, Legrand informs him that they are embarking upon a search for lost treasure along with his servant Jupiter. The narrator has intense doubt and questions whether Legrand, who has recently lost his fortune, has gone insane. Legrand captured the bug but let someone else borrow it, he draws a picture of the bug instead. The narrator says that the image looks like a skull. Legrand is insulted and inspects his own drawing before stuffing it into a drawer which he locks, to the narrators confusion. Uncomfortable, the narrator leaves Legrand and returns home to Charleston (Excerpt from Wikipedia)